Erik Ritter von Kuehnelt-Leddihn and William F. Buckley 

Portrait of Erik Ritter von Kuehnelt-Leddihn by William F. Buckley

Portrait of Bill Buckley by Erik Ritter von Kuehnelt-Leddihn

Tribute by William F. Buckley to Erik Ritter von Kuehnelt-Leddihn delivered at The Philadelphia Society Meetings, October 10, 1998, at the Intercollegiate Studies Institute National Headquarters, Wilmington, Delaware:

I wish I could be with you for this celebration. As my dear mother once wrote, on approaching senility, to a friend whose invitation she had to turn down, "Only my absence prevents me from being there."

But I happily record my greetings and my admiration for the guest of honor. Many years ago at dinner with Max Eastman he asked me if I had read Liberty or Equality? by Erik von Kuehnelt-Leddihn. As a matter of fact I had just then read it. "Amazing!" Eastman, the learned essayist, critic, and philosopher remarked. "Reading it is like going to college and graduate school, all over again."

I agreed. Moreover, my affinity for the mind of Kuehnelt-Leddihn would prove extensive. He is the only writer whose column appeared in National Review when the magazine was founded and continued to appear in it for 35 years. The mind of Kuehnelt-Leddihn is more fully stacked than that of anyone I have ever known, but not merely in the $64,000 Question sense, in which wandering scholars can be found who can answer questions about the dates of the Second Pelopponesian War. If such a question were directed to Kuehnelt-Leddihn, he would tell you why the years of that war were important, and the impact they had on the thinking of Aquinas after he had discovered Aristotle. There was never (that I know of) a mind better fixed on the reticulations that, if diligently pursued, will take you from Mother Teresa to Sister Boom Boom.

It unquestionably occurs to some that in reading Erik you are in the hands of an exhibitionist. It is important to know that this isn't the case: an exhibitionist seeks merely to display the knowledge he has achieved. Kuehnelt-Leddihn seeks with agonizing effort to put that knowledge to the service of a set of ideas he has hammered out from his conversance with the history of the world, and the history of human thought. He now and again takes obvious delight in the historical or linguistic bon mot, but only because he is convinced that you and I will share in that delight: he is never just showing off. Two or three novels back I wrote about Berlin during the time that the Wall sent up, and my story began in the awful days when Hitler was preparing to go to war. Kuehnelt-Leddihn liked the novel immensely, and sent along a pleasant single-spaced four-page letter wherein he engagingly pointed out seventy or eighty errors, traceable to historical solecisms, proper names improperly attributed to characters from that particular region of Germany, misleading street addresses…I was both appalled (at the size of the accumulation), and amused (by the arcana brought together). I wrote to ask his permission to publish his letter in my little corner of National Review (it is called "Notes & Asides") where I publish correspondence that especially appeals, for one reason or another. He wrote back instantly and said under no circumstances was I to do any such thing, the letter had been only for my own amusement. A year later I had mislaid the critical letter and wished to show it to someone as a rogue example of Kuehnelt-Leddihn's voluminous knowledge: would he be so good as to send me a copy of it? He hadn't kept a copy.

This is not a night for a lecture from Erik von Kuehnelt-Leddihn, let alone from me. I say only this, as one of his oldest friends and admirers: We are proud to have known him. His books present difficulties. They cause some readers to jump up and down with frustration/indignation/fury. But not enough I warrant, to have caused an (respectable) reader to take any one of his books and toss it into the fireplace. Because, I suspect, any intellectually sentient man would feel that to do so would be the equivalent of tossing into the sea a huge collection of valuable stones, irregularly set, perhaps; eccentrically cut, yes: but giving out shafts of brilliant light.

From a distance, I raise my glass in a toast to a great teacher and a great man.

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